Fang & Saucer Deep Dive-CHANNEL ZERO: THE DREAM DOOR Ep. 5 “You Belong To Me”

Channel Zero: The Dream Door
Episode Five, “You Belong To Me”
Written by Angel Varak-Iglar & Lisa Long
Directed by E.L. Katz

[All images courtesy Syfy]

For an in-depth recap of this and every episode of Channel Zero, I highly recommend a visit to Father Son Holy Gore. Check out his other great recaps, movie reviews, and in-depth essays on horror.
Now, let’s take a deep dive into the symbolism and references I noticed in “You Belong to Me”, the fifth episode of Channel Zero Season Four. My episode recaps and observations for Seasons One and Two are at SciFi4Me.com, and my observations for Season Three can be found here at Fang and Saucer.

Channel Zero: The Dream Door - Season 2.5 — Beautiful use of the whole frame – making horror fans look in every corner!

Dream Police Observations

*Morphing effect for the creation and brief life of Unfortunate Bunny Rabbit reminded me of the memory effects in No End House.

*Ian is teaching the CZ version of Creative Visualization.

*Ian “Cute bunny rabbit … comfort, gratitude, love …” Except in this case, Unfortunate Bunny Rabbit resembles a teleportation mishap from The Fly or Galaxy Quest more than any fluffy bunny.

*Jillian creates two “babies” this episode (both with help from another) that live brief, increditbly agonized existences.

*Ian assures Jillian she’ll learn to control and operate her creations “like a puppet”, which of course put this golden oldie on replay in my mind.

*Of course, there’s a long tradition of creepy puppet symbolism in horror (from the beginnings of the Gothic/Horror genre of Marionettes/puppets/ventriloquist dummies from E.T.A Hoffman‘s The Sandman) (1816), the Twilight Zone episode The Dummy (1962), to the “Orpheus & Euridyce meet Geppetto” mashup in Keith Donohue’s 2016 novel The Motion of Puppets.

*Jillian’s opening the tiny door of the tiny house – so reminiscent of Alice In Wonderland (1865). “So she unlocked the tiny little door, and she stooped down and looked through it, and what do you think she saw? Oh, such a beautiful garden! And she did so long to go into it! But the door was far too small. She couldn’t squeeze herself through, any more than you could squeeze yourself into a mouse-hole!”

*CZ: Butcher’s Block favored red doors; Dream Door favors shades of blue.

*Ian begins to tip his hand, and his true intentions/attidude towards his creations with a dismissive “they can’t all be winners”. Like all good meglomaniacs, he can’t stop there and adds, “like your dog” . By admitting he created the pug, he paves the way for Jillian’s “Eureka Moment” later in the episode when she find her childhood pug stuffed animal.

*Jillian’s realization flows into a classic suspense setup “I know I’m in danger but can’t let you know I know, so I’ll pretend everything’s still ok while figuring out how to get out of here.”

*Minnesota is indeed the Land of 10,000 Lakes.

*Ian’s cottage, set amidst a blue lake and the vivid green of trees and plants, reminded me (if only in setting) of A. A. Milne’s 1922 novel The Red House Mystery.

*Ian’s stash of mummified animal husks in his basement again brings to mind the MacDonald Triad, along with theory that experimentation and cruelty towards animals leading to similar behavior towards people. His casual dismissal of Jillian’s misbegotten rabbit ( “they can’t all be winners”) betrays his attitude of his creations as things, mindless tools to be used.

*Ian uses the vague “passed away” when describing his mother’s death “earlier this year … she was very trusting … too trusting. I think she chose not to see certain things.” What exactly did Mom choose not to see – her husband’s other family? Or her son’s sociopathy (or psychopathy?).

*I wish Ian had elaborated on this tidbit about Mom – “she deserved better than she got … my mom was the other woman and I didn’t even know”.

*Ian says Tall Boy “did some not so great things” Did that include killing his mother?

*Did Ian leave his front door unlocked deliberately? Who leaves the doors unlocked anymore, even in Minnesota?

*Tom greets Jillian and Ian’s return with a Channel Zero Intervention, complete with material collected from Ian’s basement. Lucky for Tom that Ian lugs all his backstory with him.

*Ian commits Jillian’s cardinal sin in this revaltory scene – he admits he lied to her.

*Is Ian supremely confident in showing off Bill’s corpse to Tom and Jillian, or beyond thinking of the consequences?

*All the pugs surrying around Bill Hope’s corpse wear adorable crayon-bright knit sweaters.

*As part of Ian’s Confession Time Monologue Theater, he admits killing the O’Connells (like Michael Haenke’s orginal version of Funny Games) to be in the house next door.

*The address Jillian calls in to 911 seems off – “48 Brahms Bay Caldecott Street” If I recall corrrectly, the town on the envelope in Episode One was Caldecott MN, not Caldecott Street in Caldecott MN.

*After Ian’s carted off to jail (we think), Tom makes a basic, honest appeal to Jillian. He just wants to be with her and create a family with her. Which leads to the second short-lived, helpless suffering creature of this episode. Their first child.

*At least their child isn’t abandoned and unloved. Unlike the creature it very much resembles, the baby from David Lych’s 1977 mystifying, nightmarish masterpiece, Eraserhead.

*Poor Detectives Fraser (Marina Stephenson Kerr) and McPhillips (Grey Bryk). Many people make fun of people wearing socks with sandals. Very few suffer horrific bloody deaths because of it. And it’s not actually much of a fashion crime anymore.

*Minnesota, like every other state, does have a law against passing a school bus.

*Excellent slo-mo buildup with Tall Boy stalking from behind and the Dad & kid arguing by the bus in front.

*Regarding the detective’s discussion as to just what differentiates spree, mass, and serial killers. The FBI dropped the separate definition of Spree Killers in 2005, but the categories can still be viewed as helpful references, according to Kathleen Ramsland. “Criminological researchers interested in developmental and psychological issues see value in retaining distinct categories to study their differences.”

*Tall Boy’s weapons of necessity – a pickaxe and electric saw – harken back to Abel Ferrera’s grindhouse horror classic Driller Killer (1979).

*Tom displays some genre savvy in refusing Ian entrance into his house. Not that it helps him from getting kidnapped; or save the poor cop (Bradley Sawatzky, I believe) walking out of Ian’s house from an extraordinarily bloody death.

*I think “Meet Me at the Ghost Neighborhood”, supposedly written in Poor Dead Cop’s blood, looks a lot more like colored chalk or crayon.

*Thanks to Father Son Holy Gore’s recap for identifying the episode’s closing song – “Always Wanted Your Love” by Tony Stephens. The episode title comes from the hit written by Michael McDonald of the Doobie Brothers and Carly Simon. While the Doobie Brothers released it first in 1977, Simon’s 1978 version reached #6 on the Billboard Hot 100 chart.

*WhatSong.Com is a great resource for Channel Zero fans to find songs used in Seasons 2-4.

Next episode, the Channel Zero: The Dream Door finale narrows things down to the “Two of Us”.

Until next time, Dream a Little Dream of Stabby the Murder Clown …

The first three seasons of Channel Zero are currently on the Shudder streaming service. Channel Zero: The Dream Door is currently available on demand and will join them on Shudder in 2019.

Fang & Saucer Deep Dive-CHANNEL ZERO: THE DREAM DOOR Ep.4 “Bizarre Love Triangle”

Channel Zero: The Dream Door
Episode Four, “Bizarre Love Triangle”
Teleplay by Mallory Westfall
Story by Mallory Westfall & Isabella Gutierrez
Directed by E.L. Katz

[All images courtesy Syfy]

For an in-depth recap of this and every episode of Channel Zero, I highly recommend a visit to Father Son Holy Gore. Check out his other great recaps, movie reviews, and in-depth essays on horror.
Now, let’s take a deep dive into the symbolism and references I noticed in “Bizarre Love Triangle“, the fourth episode of Channel Zero Season Four. My episode recaps and observations for Seasons One and Two are at SciFi4Me.com, and my observations for Season Three can be found here at Fang and Saucer.

Dream Police Observations

*Time to stock up on some Japanese footwear? Pretzel Jack’s tabi shoes are available online.

*CZ now has it’s own variation on The Blue Screen of Death – the Blue Glow of Creepiness. This week, it fills young Jillian’s (Mimi-Tsega Stafford) bedroom before the first appearance of Pretzel Jack (Troy James).

*Jillian’s dad is physically gone, but her mom (Miriam Smith) is emotionally distant. Her response to Jillian’s “I miss Dad“? A curt “Get into bed.”

*Troy James, who brings Pretzel Jack to life, first came to notice on America’s Got Talent. He was Father Time in Channel Zero: Butcher’s Block, and will portray the villan “Ragdoll” on The Flash.

*This episode begins with a discussion of killing Pretzel Jack, and ends with his explosive demise.

*In between running for their lives through a sub-basement filled with exercise equipment on one side, and fill dirt & gravel on the other, Sarah Winters (Diana Bentley) delivers an info dump to Tom (Brandon Scott). He’s not the father of her child, so he can stop stalking them now.

*Like a couple recent genre movies, CZ sets a climatic confrontation in a community/high school/YMCA swimming pool. Sometimes these scenes work (Let The Right One In), and sometime they really don’t (It Follows).

*Pretzel Jack’s apparent “death” via swimming pool isn’t the first in Channel Zero. Margot Sleator’s Not!Father (John Carroll Lynch) ended up submerged for eternity in a backyard pool at the end of No End House.

*After joining forces with Ian (Steven Robertson) to defeat Pretzel Jack, Jillian (Maria Sten) suffers the ear-bleed variation on the “Psychic Nosebleed“, common (at least in genre fiction) to anyone displaying psychic powers.

*Ian is again overtly courteous and informative. He informs Maria that using their ability “depletes you.” Yet despite her symptoms of vomiting and dizziness, Ian doesn’t bother getting her anything to eat besides tea.

*Ian’s magic herbal tea includes turmeric, cinnamon, lemon balm, red raspberry leaves & ginger. Ostensibly healthy, it sounded to me more like something from the kitchen of Mrs. Castavet (Ruth Gordon) in Rosemary’s Baby.

*Especially after we see how Ian replenishes himself at the anonymous fast food joint. Truly on of the revolting meals since the dinner scene since The Cook, The Thief, His Wife and Her Lover (1989), or Mr.Creosote enjoyed a wafer-thin mint in Monty Python’s The Meaning of Life (1983).

*Poor Tom – the only shirt the hospital can find for him features a puppy wearing a cone of shame.

*Girl talk between Sarah & Jillian servers as a turning point in Jillian. She’s listening, and being listened to, a woman displaying empathy for the underlying issue in Jillian’s life – trust. Sarah’s made a conscious choice to trust, Jillian not sure if she can.

*As much as I love seeing Diana Bentley back in the CZ universe, the whole Tom/Sara/baby subplot did not, for me, fit into the main storyline. It seemed to serve as “Tom’s Secret” more than as an integrated part of the story, at least to me.

*Ian borrows from the Obi-Wan Kenobi Crappy Mentor Playbook to draw Jillian in; helpfully guiding her through this new world, but omitting key facts that might send her away. Like Luke Skywalker, she commits to training without fulling knowing what’s involved.

*The Obivously Empty TV Coffee Cups cliche makes it’s Channel Zero debut. Is an Empty Cup Award in CZ’s future?

*Bill Hope repeats his “I Have to Tell You Something SO Important It Can’t Be Said Over the Phone” routine, calling both Tom and Jillian. “I’d like to tell her in person.” Too bad Ian snooped around with Jillian’s phone and intercepted the call.

*I wish more characters in books, movies, and TV would read “The DON’T LIST” from Murder Ink: The Mystery Reader’s Companion. Rule 1 – “Don’t go for lonely cliff-side walks with those you’ve just disinherited.” Or leave phone messages for your disgruntled son to easily intercept.

*The Bill Hope’s ghost neighborhood development Willow Courts advertised houses starting at $899,000. “Welcome Home … Homes for Families … Opening late 2016”

*Ian arrives at Room 105 at the Mill Road Inn and delivers the Wham! Line of the delivers the Wham!Line of the series; “Not the kid you were expecting, Dad?”

*Bill dealt with his son’s behavior by protecting Ian from the consequences of his actions, and/or thinking up rational explanations “when the dog disappeared or that bully from school went missing.” Which sounds familiar to true crime fans reading about Jeffrey Dahmer, or anyone reading the 2003 novel We Need To Talk About Kevin (or watching the 2011 movie version starring Tilda Swinton).

*Bill seals his fate (at least as far as Ian’s concerned) with a dismissive “You always were a bad seed.” William March’s 1954 novel became a 1956 movie (Dir. Mervin LeRoy) starring Patty McCormack as the oh-so-determined (and oh-so-amoral) Rhoda Penmark. Less said abut the Rob Lowe 2018 remake the better.

*Bill advises Ian, “for once in your life, do what’s right.” Unfortunately for Bill, Ian decides that involves bringing his childhood friend Tall Boy (Stephen R. Hart) to life. Ian, through Tall Boy, pulls a variation on the Oedipus myth and Bill’s eyes are crushed into his skull.

*This season of Channel Zero does love its Eye Scream.

*Though we must commend (I guess) Ian’s thoroughness in Post-Patricide Crime Scene Cleanup. Better than Norman Bates!

*”Bizarre Love Triangle” includes an homage to another creepy-in-retrospect Incest Kiss.

*This episode’s title comes courtesy the New Order single off their 1986 album Brotherhood.

“Every time I think of you
I feel shot right through with a bolt of blue
It’s no problem of mine
But it’s a problem I find
Living a life that I can’t leave behind.”

*Another great choice from the New Order back catalog? “Blue Monday” (featuring flipbooks in the video below!)

“How does it feel
To treat me like you do?
When you’ve laid your hands upon me
And told me who you are
I thought I was mistaken
I thought I heard your words
Tell me, how do I feel
Tell me now, how do I feel”

Next episode, Channel Zero promises “You Belong To Me”; who will belong to whom though, and what will be left of them?

Until next time, Dream a Little Dream of Stabby the Murder Clown …

The first three seasons of Channel Zero are currently on the Shudder streaming service. Channel Zero: The Dream Door is currently available on demand and will join them on Shudder in 2019.https://www.youtube.com/watch?v=7uEBuqkkQRk

Fang & Saucer Deep Dive-CHANNEL ZERO: THE DREAM DOOR Ep.3 “Love Hurts”

Channel Zero: The Dream Door
Episode Three “Love Hurts
Written by Leonore Zion & Lisa Long
Directed by E.L. Katz

[All images courtesy Syfy]

For an in-depth recap of this and every episode of Channel Zero, I highly recommend a visit to Father Son Holy Gore. Check out his other great recaps, movie reviews, and in-depth essays on horror.
Now, let’s take a deep dive into the symbolism and references I noticed in “Love Hurts“, the third episode of Channel Zero’s fourth season. My episode recaps and observations for Seasons One and Two are at SciFi4Me.com, and my observations for Season Three can be found here at Fang and Saucer.

Dream Police Observations

*As he relentlessly made his way through Vanessa Moss’ (Barbara Crampton) home, Pretzel Jack became a smiling, white-goo dripping CZ version of the implacable, deadly, and silent murderer Jason Voorhees of Friday the 13th fame.

*Turns out “floating meditation” is quite the hot trend in some circles.

*Hopefully Ms. Moss was a certified doula. Not quite a midwife, doulas act as a helper/coach for expectant mothers.

*How many Americans can drive a manual transmission vehicle? Five percent of all cars sold in the US are stick shift, and the late Ms. Moss was owned one of them.

*Det. McPhillips (Grey Bryk) describes Pretzel Jack as a “Dr. Seuss character gone wrong.”

*Pretzel Jack’s hibernation in, and eventual emergence from, a suburban crawlspace reminded me of Not!Dad (John Carroll Lynch) lurching through a quiet suburban neighborhood in Channel Zero’s second season, No End House.

*The crawlspace has a special place in horror fiction and movies, including –

– A 1971 novel by Howard Lieberman, adapted into a 1972 movie directed by John Newland and (unofficially) Buzz Kulik.

-The related-only-by-title 1986 movie starring Klaus Kinski and directed by David Schmoeller. The filming of this version was apparently so traumatic it inspired a documentary about the experience called Please Kill Mr. Kinski.

*Jillian mentions “thinking about all the bad things that could happen” (emphasis mine). Wonder if the late Dr. Carnacki (Steven Weber) had a chance to address Jillian’s generalized anxiety, expressed as worrying about future events.

*Jillian and Tom will sure need that trauma therapist Dr. Carnacki recommended after witnessing his (off camera to us) murder at the hands of Pretzel Jack.

*The mummified husk of Pretzel Jack (did Jillian take it from her old childhood home) resembles both a South American mummy and the false mother created from Margot Sleator’s memories in No-End House.

*It’s true that Carnacki and Tom are not listening to Jillian – and she isn’t listening to them. I heard their reactions as a mix of “mansplaining” and expressing reactions to Jillian’s story that attempt to rationalize the impossible; seeing Pretzel Jack as a symbol (Carnacki) or a real human being wearing a disguise (Tom).

*This events in Dr. Carnacki’s office reminded me of Nola Carveth in David Cronenberg’s 1979 movie The Brood. Like Nola, Jillian creates a physical expression of her emotions that acts both as her protector and avenger. What would’ve happened if Jillian had gone to Dr. Hal Raglan’s Somafree Institute of Psychoplasmatics for therapy?

*Spoiler Alert – Dr. Carnacki’s description of a lover’s vulnerability in a relationship (metaphorically asking their partner if they’ll “cut me open and spill my guts”) turns out to be all to real for several characters.

*Ian presents himself as a wise Obi-Wan type to Jillian and Tom. In relating a very PG-rated version of his story and how it relates to Jillian, Ian may be more like Luke Skywalker’s mentor than they realize.

*Technically the psychic pair in John Farris’ 1976 novel (and 1978 movie) The Fury aren’t related, but their powers, and the people who hope to use those powers for their own ends, reminded me a lot of Jillian and Ian this episode.

*Ian describes their power as both a Bat-Signal and a kind of tumor.

*Since there isn’t a National Science Museum (that I could find at any rate), maybe Ian is misremembering the National Museum of Natural History in Washington D.C..

*The Pretzel Jack in Jillian’s childhood flipbooks is a creepypasta version of Bing-Bong from Inside Out. Ian’s description of the very thorough process required to permanently destroying their creations (“fully smash the head, cut his head off, use a meat grinder, incinerate him …”) makes Pretzel Jack into (as mentioned earlier) an indestructible boogeyman out of horror franchises like Halloween or Friday the 13th.

*Lykoi cats are real, and in their own way, really adorable.

*Jillian’s dad Bill (Gregg Henry) makes his audio-only debut via that old time classic “I can’t tell you some very important information over the phone” cliche.

*Credit to Father Son Holy Gore for catching the name of the end credits music. “Love Song” by The Damned.

Next episode, Channel Zero brings a “Bizarre Love Triangle” to life as only it can!

Until next time, Dream a Little Dream of Stabby the Murder Clown …

The first three seasons of Channel Zero are currently on the Shudder streaming service. Channel Zero: The Dream Door is currently available on demand and will join them on Shudder in 2019.

Fang & Saucer Deep Dive-CHANNEL ZERO: THE DREAM DOOR Ep.2 “Where Did You Sleep Last Night”

Channel Zero: The Dream Door
Episode Two “Where Did You Sleep Last Night”
Written by Alexandra Peachman & Nick Antosca
Directed by E.L. Katz

[All images courtesy Syfy]

For an in-depth recap of this and every episode of Channel Zero, I highly recommend a visit to Father Son Holy Gore. Check out his other great recaps, movie reviews, and in-depth essays on horror.
Now let’s take a deep dive into the symbolism and references I noticed in “Where Did You Sleep Last Night”, the first episode of Channel Zero’s fourth season. My episode recaps and observations for Seasons One and Two are at SciFi4Me.com, and my observations for Season Three can be found here at Fang and Saucer.

Dream Police Observations

*”Where Did You Sleep Last Night” (aka “In the Pines”) has its origins as a folk ballad. Recorded many times, notable versions include Bill Monroe 1941 and 1952 as “In the Pines”, by blues artist Leadbelly in various versions of “Where Did You Sleep Last Night” from 1944 through 1948, and over the closing credits of an episode of Investigation Discovery’s A Crime To Remember.

*If you’ve ever wondered what would happen if Ingmar Bergman’s Scenes From A Marriage (1974) and Killer Klowns From Outer Space (Dir. Stephen Chiodo, 1987) had a baby, it would look a lot like Channel Zero: The Dream Door.

*Were Det. McPhillips (Grey Bryk) and Det. Fraser (Marina Stephenson Kerr) conducting an investigative interview with Jillian and Tom? Why the heck weren’t they interviewed separately?

*Ian (Steven Robertson), such a helpful font of esoteric knowledge! This episode we learn Pugs were the favored dog breed of Chinese royalty, and Ian recommends the use of lucid dreaming as a tool of self-discovery.

*We learn a bit more about Jillian’s father Bill Hope; the name of one of his bankrupt real estate deals (Willow Courts), and Jillian was eight when he abandoned his family.

*In between cups of macha tea, Mrs. Sherman (Mirian Smith) enjoys walking her cat. Macha is both a type of tea – and the name of a goddess in Celtic mythology.

*Tom begins – and ends – this episode in a tub. He also likes to give Gumby toys to (not so) random children in public parks. Since we saw him arguing with the child’s mother (Diana Bentley) last week, it’s probably not a random encounter.

*Dr. Carnacki (Steven Weber) recommends start on Xanax to make it through the day and Ambien to sleep at night. Besides being featured in criminal defenses, “People taking Ambien have sleep-walked, driven their cars, prepared and eaten food, made phone calls, and had sex while not fully awake without memory of these activities,” according to EverydayHealth.com.

*Unlike her husband or therapist, Ian really listens to Jillian, encouraging her to confide in him. It is not a coincidence that Ian is refilling a hummingbird feeder.

*Jillian leans about the Laughing Shadow and interesting Portuguese words like cafune.

*But as TVTropes.com notes, Jillian is so happy to be listened to, she fails to listen to Ian. She “only refers to a “contortionist clown” before Ian says, “Pretzel Jack killed your friend.”

*2nd drink alert of the episode – Kambucha!

*Vanessa Moss (Barbara Crampton) takes advantage of Tom’s trust. Her technique is similar to Ian’s; present a sympathetic front, listening to Tom and offering her therapy pool for meditation, while surreptitiously spying on him for her own gratification.

*Pretzel Jack recreates a horror genre staple this episode – the Spider Walk.

*The 80’s power pop of “Catcher In The Rain” (1985) by Van Duren and Good Question plays over the closing credits.

Next episode, an oft-recorded pop song reminds us that “Love Hurts”. And on Channel Zero, boy does it ever!

Until next time, Dream a Little Dream of Stabby the Murder Clown …

The first three seasons of Channel Zero are currently on the Shudder streaming service. Channel Zero: The Dream Door is currently available on demand and will join them on Shudder in 2019.

Fang & Saucer Deep Dive-CHANNEL ZERO: THE DREAM DOOR Ep.1 “Ashes On My Pillow”

Channel Zero: The Dream Door
Episode One “Ashes On My Pillow”
Teleplay by Nick Antosca
Directed by E.L. Katz

[All images courtesy Syfy]

For an in-depth recap of every episode of Channel Zero, I highly recommend a visit to Father Son Holy Gore . Check out his other great recaps, movie reviews, and in-depth essays on horror.
Now let’s take a deep dive into the symbolism and references I noticed in “Ashes On My Pillow’, the first episode of Channel Zero’s fourth season. My episode recaps and observations for Seasons One and Two are at SciFi4Me.com, and my observations for Season Three can be found here at Fang and Saucer.

CZDD Ep1 — Tonight on “*So There’s a Hidden Door in Your Basement*“

Dream Police Detections

* Every episode title for CZ:DD is a song title. Houston-born jazz/blues saxophonist Eddie “Cleanhead” Wilson released the single “Ashes On My Pillow” (with “Hot Lips” Page on vocals)in 1950. Credit to Father Son Holy Gore for this tidbit.

*We get hints of trouble between Jillian and her father – although it’ll be familiar to true crime fans and/or readers of Linwood Barclay’s 2007 novel No Time To Say Goodbye.

*As they enjoy unagi sushi, Jillian advises her husband Tom in a variation on that oldest of clichés, “Don’t look a gift horse in the mouth

*It’s probably not the same house, but the kitchen/dining area/family room in the Hodgson home sure looks like the Sleator home in Season Two, No-End House.

*”Ashes” does a great job of laying a trail of clues from the start, starting with an adorable pug Tom and Jillian find in their new home. Jillian notes, ““When I was a kid, I had a stuffed toy animal that looked just like this.”

*Why would Tom have a copy of Jillian’s childhood flipbook? Did she give it to him when she moved away?

*Is the nickname Pretzel Jack a variation on that snack item classic, Cracker Jack?

*Jason (Nicholas Tucci) used Tinder to find his “plus 1” for dinner with Tom and Jillian.

*Tom, Jillian, and her estranged father live in a fictional town (Caldecott), which is located in a real Minnesota county (Itasca). Tom and Jillian live at 48 Brahms Way, and not-so-dear-Dad lives at 249 Beverly St.

*Ian is a very affable, friendly neighbor. Almost too friendly.

*The alleged existences of a Berenstain Bears book with a differently spelled name and Sinbad starring in a Shazam movie are both examples of “the Mandela Effect.”

*Jason may be a dependable friend, but a gun safety expert his is not.

*The first “dream door” opens to a sloping set of stairs and another door in a small antechamber. Along with the sloping descent and the whoosh of released air from the main chamber, Jillian’s discovery reminded me of Howard Carter opening the tomb of King Tutankhamen in 1922.

*Ian is pretty genre-savvy. Tom, Jillian, and Jason showing up at his door in the middle of the night reminds him of ” the start of a horror movie.”

*But he doesn’t know how to hold a cat correctly.

Or Fluffy may be running away for an entirely different reason …

*How interesting that Friendly New Neighbor Ian just happens to be an expert of Jungian psyschology.

“The dream is a little hidden door in the innermost and most secret recesses of the soul, opening into that cosmic night which was psyche long before there was any ego-consciousness, and which will remain psyche no matter how far our ego-consciousness extends.”― Carl Gustav Jung

*Jillian’s therapist shares a name with the fictional “psychic detective” created by William Hope Hodgson. Carnacki wasn’t as determined to shoehorn arational explanation on every mystery, however.

*When we first see Pretzel Jack (Troy James), his face to the wall pose seems strikingly similar to the last image in The Blair Witch Project (1999).

*The slogan for Hodgson House and Home – “Your Complete Renovation and Landscaping Specialists”.

*Sarah Winters (Diana Bentley) should look familiar to faithful Channel Zero fans; she played Edie Peach in Butcher’s Block.

*In their argument before his Eye Scream demise, Jason refers to Bob Clark’s 1974 horror movie Black Christmas (“The calls are coming from inside the house!“), while Jillian’s “Don’t gaslight me!” harkens back to the 1944 Ingrid Bergman-Charles Boyer suspense classic Gaslight.

*The Sonic Youth version of “Superstar” played over the closing credits is a far cry from the most famous cover version of the song; The Carpenters 1971 version reached #2 on the Billboard Hot 100.

*Sadly, Todd Haynes’ 1987 short film Superstar: The Karen Carpenter Story, hasn’t been available to view or purchase legally since 1990. Which is a shame, since Time Out magazine named it the Greatest Music Film Ever.

Episode Two asks “Where Did You Sleep Last Night?”

Until next time, Dream a Little Dream of Contortionist Clowns …

The first three seasons of Channel Zero are currently on the Shudder streaming service. Channel Zero: The Dream Door is currently available on demand and will join them on Shudder in 2019.